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    <loc>https://www.elizabethcline.work/contact</loc>
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    <lastmod>2020-07-30</lastmod>
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      <image:title>Contact</image:title>
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    <loc>https://www.elizabethcline.work/about</loc>
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    <lastmod>2025-07-15</lastmod>
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      <image:title>About - Photo by Eric Kelly</image:title>
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      <image:title>About</image:title>
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    <loc>https://www.elizabethcline.work/home</loc>
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    <loc>https://www.elizabethcline.work/projects</loc>
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    <lastmod>2024-03-06</lastmod>
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    <loc>https://www.elizabethcline.work/projects/theindustry</loc>
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    <lastmod>2020-12-06</lastmod>
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      <image:title>Projects - The Industry</image:title>
      <image:caption>SWEET LAND / Executive Producer</image:caption>
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      <image:title>Projects - The Industry</image:title>
      <image:caption>EUROPERAS 1 &amp; 2 / Executive Producer</image:caption>
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      <image:title>Projects - The Industry</image:title>
      <image:caption>WAR OF THE WORLDS / Executive Producer</image:caption>
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      <image:caption>Young Caesar Recording / Executive Producer</image:caption>
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      <image:title>Projects - The Industry</image:title>
      <image:caption>NIMBUS Performance Installation - Walt Disney Concert Hall / Executive Producer</image:caption>
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      <image:title>Projects - The Industry</image:title>
      <image:caption>Hopscotch Recording / Executive Producer</image:caption>
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      <image:title>Projects - The Industry</image:title>
      <image:caption>The Edge of Forever Recording / Executive Producer</image:caption>
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      <image:title>Projects - The Industry</image:title>
      <image:caption>HOPSCOTCH / Executive Producer</image:caption>
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  <url>
    <loc>https://www.elizabethcline.work/projects/theedgeofforever</loc>
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    <lastmod>2020-09-24</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f21ff592a3a785b0f52efb5/1596136629453-RJWGJCGDBV274Q9I0VSJ/TEOF+Album+Cover.jpg</image:loc>
      <image:title>Projects - The Edge of Forever</image:title>
      <image:caption>[Excerpt from record liner notes. FOREVER, June 2016 by Elizabeth Cline] In the Yucatec Maya oral tradition, stories are told in the present tense, always in progress. Events do not unfold linearly but rather storytellers paint word pictures, manifesting symbolic narratives or moral lessons for the listener. Like the Mayan Calendar, these moments are woven together to create an infinite garland interpreting the universe without beginning or end. Stories become energy moving dynamically through the past and present. Aligning this storytelling tradition with December 21, 2012, the auspicious ending of a great time cycle, established a fertile ground for exploring the nature of consciousness and love in relationship to time. The Edge of Forever balances on the axis point of the past and future. To connect to the vast cosmic calendar, I wrote the synopsis for a 3 act opera with the intention that only the final act was to be performed in the present tense on this fated date. The continuity between the written yet unperformed events and the experienced event created a space to organize the drama around distinct states of being. Through the main character Laakan I focused on a part of our existence that is not in time – the state of being in love. The Edge of Forever expands from the temporal into the metaphysical by way of a mystical union on the cosmic level. Laakan resides deep within a sacred cave beset by echoes, shadows, and stone. Here, his yearning becomes so intense it eclipses the space between the material and spiritual. Buried beneath the earth, he gradually flattens into the one-dimensional image of an ancient glyph. Hidden away, he merges with the primacy of love, the desire for unity. The final scene is a quiet act of transcendence: there is no spectacle or transformative moment. It is his realization that love is infinite and not bound by time and that one can find forever in each moment. For more information and to help, visit Mayas for Ancient Mayan, a nonprofit organization that helps Indigenous Mayans connect to their ancient language.</image:caption>
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  <url>
    <loc>https://www.elizabethcline.work/projects/ithfwi</loc>
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    <priority>0.5</priority>
    <lastmod>2020-09-24</lastmod>
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      <image:title>Projects - If The Head Fits, Wear It</image:title>
      <image:caption>[Excerpt from essay, Keep the Scene Clean, by Elizabeth Cline 2016/17] Can we look beyond what remains—the corporate brand of the Grateful Dead and its fans’ style—to see if today’s contemporary art world might learn something from the Dead’s past as a 1970s utopian community, one deeply invested in creative freedom? The contemporary art world and the world of Grateful Dead are closer than commonly imagined. After all, the Dead emerged from traditions similar to those that shaped many of today’s artists. Both share roots in a bohemian-anarchist aesthetic that grew out of the Beat Generation and American Transcendentalists. Both hold interests and values set outside the mainstream. Both privilege exploration and risk.</image:caption>
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  <url>
    <loc>https://www.elizabethcline.work/projects/fromthewoodwork</loc>
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    <priority>0.5</priority>
    <lastmod>2020-09-22</lastmod>
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      <image:title>Projects - From the Woodwork</image:title>
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    <loc>https://www.elizabethcline.work/projects/hammermuseum</loc>
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    <lastmod>2020-09-24</lastmod>
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      <image:title>Projects - Hammer Museum</image:title>
      <image:caption>Orchestra in Residence - Wild Up / Curator &amp; Producer</image:caption>
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      <image:title>Projects - Hammer Museum</image:title>
      <image:caption>Made in LA 2012 Soundmap / Curator &amp; Producer</image:caption>
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      <image:title>Projects - Hammer Museum</image:title>
      <image:caption>2012 Hammer Yearbook / Producer</image:caption>
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      <image:title>Projects - Hammer Museum</image:title>
      <image:caption>Guar Uniforms by Lisa Anne Auerbach / Producer</image:caption>
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      <image:title>Projects - Hammer Museum</image:title>
      <image:caption>Libros Schmibros Lending Library / Producer</image:caption>
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      <image:title>Projects - Hammer Museum</image:title>
      <image:caption>Machine Project in Residence / Curator &amp; Producer</image:caption>
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      <image:title>Projects - Hammer Museum</image:title>
      <image:caption>Seeing Green by Charles Long / Producer</image:caption>
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      <image:title>Projects - Hammer Museum</image:title>
      <image:caption>Hammer Cafe Video Series / Curator &amp; Producer</image:caption>
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  <url>
    <loc>https://www.elizabethcline.work/projects/machineproject</loc>
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    <priority>0.5</priority>
    <lastmod>2020-09-24</lastmod>
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      <image:title>Projects - Machine Project</image:title>
      <image:caption>Machine Project Guide to the Gamble House / Curator &amp; Producer</image:caption>
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      <image:title>Projects - Machine Project</image:title>
      <image:caption>Machinations in the Central Library / Producer</image:caption>
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      <image:title>Projects - Machine Project</image:title>
      <image:caption>Machine Project Field Guide to Grand Park / Curator &amp; Producer</image:caption>
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      <image:title>Projects - Machine Project</image:title>
      <image:caption>Roaming Theater / Producer</image:caption>
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      <image:title>Projects - Machine Project</image:title>
      <image:caption>Mystery Theater / Curator &amp; Producer</image:caption>
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      <image:title>Projects - Machine Project</image:title>
      <image:caption>Machine Project Field Guide to LA Architecture / Executive Producer</image:caption>
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  <url>
    <loc>https://www.elizabethcline.work/projects/tsn</loc>
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    <priority>0.5</priority>
    <lastmod>2020-09-24</lastmod>
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      <image:title>Projects - Tragedy on the Sea Nymph</image:title>
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      <image:title>Projects - Tragedy on the Sea Nymph</image:title>
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      <image:title>Projects - Tragedy on the Sea Nymph</image:title>
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  <url>
    <loc>https://www.elizabethcline.work/projects/wildup</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-03-28</lastmod>
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